Artist vs Machine
A lecture on Digital Art
The second lecture in Digital Art: Ideas, Histories, Personalities examines changing models of authorship in digital art, from individual artists and collectives to collaborations between artists and engineers, and the emergence of human–machine collaboration.
Through historical examples, including Experiments in Art and Technology (E.A.T.), early computer poetry, and algorithmic music by Pierre Barbaud and Iannis Xenakis, the lecture explores how computers have transformed the creative process and considers questions of artistic authorship in the era of AI.
About:
Anna Chaplygina is digital producer and art mediator. She graduated from the Russian State University for the Humanities with a degree in Cultural Studies. Since 2016, she has been a member of the Open Laboratory at the Pushkin State Museum of Fine Arts.
With over 15 years of experience in digital communications and production, she has worked with major advertising agencies and global brands. As part of the Open Laboratory, she has been involved in art mediation projects and public programmes exploring media and contemporary art. Her research interests focus on the history of digital art and how technology transforms creative practices.
The lecture will be held in English.
*Please note that dates are subject to change.
Through historical examples, including Experiments in Art and Technology (E.A.T.), early computer poetry, and algorithmic music by Pierre Barbaud and Iannis Xenakis, the lecture explores how computers have transformed the creative process and considers questions of artistic authorship in the era of AI.
About:
Anna Chaplygina is digital producer and art mediator. She graduated from the Russian State University for the Humanities with a degree in Cultural Studies. Since 2016, she has been a member of the Open Laboratory at the Pushkin State Museum of Fine Arts.
With over 15 years of experience in digital communications and production, she has worked with major advertising agencies and global brands. As part of the Open Laboratory, she has been involved in art mediation projects and public programmes exploring media and contemporary art. Her research interests focus on the history of digital art and how technology transforms creative practices.
The lecture will be held in English.
*Please note that dates are subject to change.
registration via payment required.
Cost: AED200
For full course details and payment, contact contact@domprojects.art.
Cost: AED200
For full course details and payment, contact contact@domprojects.art.
DATE
October 25, 2026, 2:00 PM
Register to attend
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