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::vtol::

Takir
Takir is a hybrid installation that simulates the transformation of a seabed into a desert landscape known as a takir. Takirs form in flat basins: when a shallow layer of water evaporates, the muddy bottom becomes exposed, dries, contracts, and breaks into polygonal slabs of different shapes and sizes. The scale and geometry of these slabs depend on sediment composition, salinity, and drying conditions.
Takirs develop when the groundwater level lies deeper than 1.5 meters, allowing salts to move down into the groundwater and rise back to the surface through capillary action. They are characteristic of the deserts of Asia’s subboreal belt and can stretch for tens of square kilometers.
Similar processes are unfolding today in the basin of the dried-up Aral Sea, which once lay between Uzbekistan and Kazakhstan. Formerly one of the world’s largest saltwater lakes, it has dramatically shrunk since the 1960s due to the diversion of its rivers for Soviet irrigation projects. Its disappearance is considered one of the most severe ecological disasters caused by human intervention. As the sea retreated, a desert emerged on its former seabed, radically altering the region’s landscape. Depending on the annual flow of the Amu Darya and Syr Darya rivers, certain areas may briefly refill or dry again, turning the territory cyclically from desert into seabed and back. These rapid oscillations are now closely studied by ecologists and geologists.
The installation recreates these cyclical transformations. Samples of clay sediment are alternately liquefied with water or dried by hot air from custom-built compressors. As the substance dries, it cracks into a micro-model of the takir surface. Overhead cameras capture the process, while an algorithm transforms the emerging crack patterns into soundscapes. After a period of observation, the containers are refilled, the „seabed“ is re-mixed by a robotic mechanism, and the cycle begins again.
Takir is the final project in Geological Trilogy, a series by ::vtol:: exploring major natural or anthropogenic geological and planetary phenomena.
DATE
November 28, 2025 – April 5, 2026
Artist
Dmitry Morozov aka ::vtol:: (b.1986) is a transdisciplinary artist and researcher. He focuses on contemporary media arts including sound, robotics and installation, placing special emphasis on the link between emergent systems and new kinds of technological synthesis. Currently based in Ljubljana, Slovenia.
His works have been exhibited at museums and galleries worldwide, including the Laznia Center for Contemporary Arts (Gdansk), ZKM Zentrum (Karlsruhe), National Taiwan Museum of Fine Arts (Taichung), Kapelica gallery (Ljubljana), ArtScience Museum (Singapore), HEK (Basel), Laboratoria Art&Science Space (Moscow) etc., and in festivals such as SIGGRAPH 2016 (Anaheim), Mirage (Lyon), Ars Electronica (Linz), Future Everything (Manchester) and CTM (Berlin).
He is the award winner of the Sergei Kuryokhin Prize (Russia, 2013 and 2020), Innovation (Russia, 2020), Prix Cube (France, 2014) and also received honorary mentions at VIDA 16.0 (Spain, 2014) and Prix Ars Electronica (Austria, 2015, 2017).